For Videographers & Filmmakers · 4 skills
Coverage ratios, setups-per-hour scheduling discipline, the radio-cut method documentary editors swear by, and the money terms most solo videographers never put in writing. Plus one skill that isn't instructions at all, but working software that generates real .cube LUTs — one per camera on the job.
For Videographers & Filmmakers
Pre-Production Powerhouse
A two-line brief becomes the full pack: sellable treatment, soundbite-engineered interview questions, shot list with coverage ratios, a schedule that survives the day, call sheet, and a budget that sums to the dollar with the tax line and payment terms on it.
For Videographers & Filmmakers
Look Match
Real software: show it a reference image, name every camera in the edit, and it generates genuine .cube LUT files — three strengths per camera, loading straight into Resolve, Premiere or Final Cut.
For Videographers & Filmmakers
Paper-Edit Assistant
Paste the transcript. It finds the story, assembles the radio cut with timecodes, offers three cold opens, maps the B-roll, writes the kill list that ends the “what about the bit where…” conversation — and names the questions the interview never answered.
For Videographers & Filmmakers
Clip Multiplier
Feed it a timecoded transcript: every genuine clip, ranked and hooked, with captions, reframe notes, a sequel map and a dated posting calendar. Honest counts only — six strong clips beat forty weak ones.
The complete set
All 4 skills, sharing one profile you fill in once — so everything writes in your voice and prices from your numbers. Skills chain into each other; run the demos in order and watch one professional's full workflow happen.