Look Match — AI Skill for Filmmakers

You saw the look. Now reverse-engineer it at 1am.

There's a frame you can't stop thinking about — a still from a film, a shot from somebody's short. You know exactly what you want your footage to feel like, and you have no idea which curves and wheels get you there.

So you spend an evening pushing sliders, get about 60% of the way, lose the thread, and eventually deliver something that looks fine rather than like the thing in your head.

This one is not instructions. It's working software: a reference image goes in, and real .cube files come out.

One skill. Four jobs.

Match a reference

Show it a film still or a frame you admire, name your log format, and it generates genuine .cube LUTs that load straight into Resolve, Premiere or Final Cut.

› I want this look. Here's the reference. I shoot S-Log3.

Add your own frame

Include one still from your actual footage and the match roughly doubles in quality. It tells you why, and which mode it used.

› Here's the look and a frame of my footage. Match them.

Pick your strength

Every set arrives at 100, 75 and 50 percent, because the full-strength version is rarely the one you ship.

› Give me the subtle version — 50%.

Deliver to a client

A filled delivery note per job: look name, log format, what the LUT does and doesn't carry, and install instructions for whoever opens it next.

› Write the delivery note for this LUT set.

Real files. Not a description of files.

This is the one skill in the store that ships as working software:

Three .cube LUTs — 100%, 75% and 50% strength
A side-by-side before/after preview PNG
Nine log formats, from published transfer functions
A professional LUT delivery note, filled per job

Why not just ask the chatbot?

It runs code, not opinions

A general chatbot describes a grade in words. This computes a transform and writes the file, which is a fundamentally different product.

Nine log formats, done properly

S-Log3 and S-Log2, C-Log3, V-Log, LogC3 and LogC4, D-Log, N-Log, F-Log and F-Log2 — each built on the manufacturer's published transfer function rather than an approximation.

It tells you where the limit is

Roughly 80% of the way, instantly — the professional starting point colourists charge hundreds to reach. The last 20% is per-shot work and it never pretends otherwise.

Your first five minutes.

Install it, then type any of these. No prompt-writing, no setup screens.

1I want this look — here's the reference. I shoot S-Log3.
2Here's the look AND a frame of my footage. Match them.
3Same look, but 50% strength.
4Write the client delivery note for this set.
5demo — watch flat log get a teal-and-orange grade.

Plug and play

From download to done in three steps.

Buy & download

A skill folder and a one-page install guide. Claude and ChatGPT are both included.

ii.

Drop it in

About a minute, once. Then fill your profile — the same one every skill in the suite reads.

iii.

Just talk

Paste the brand's message. It runs the whole workflow and hands back a finished file.

What it won't do.

Every skill in the store ships with this section. If a tool won't tell you its limits, it's selling you something.

It needs a code-running environment: Claude Code, or ChatGPT with the code interpreter. On the standard Claude app it can't execute, and the product page says so before you buy.
It captures a grade, not masks, windows or per-shot balancing. That's true of every LUT ever made, and pretending otherwise would be dishonest.
A LUT is a starting point. It gets you to a professional base fast; the final 20% is still your eye and your footage.

Questions.

How is this different from just asking Claude or ChatGPT?

Ask a chatbot for a look and it writes you a paragraph of colour-grading advice. This generates actual .cube files — three strengths, plus a before/after preview — by computing a transform against your camera's published log curve. You drag the result into your editor.

What do I need to run it?

A code-running environment: Claude Code, or ChatGPT with its code interpreter. This is the one skill in the store with that requirement, and it's stated on the product page rather than discovered after purchase.

Which cameras are supported?

Nine log formats: Sony S-Log3 and S-Log2, Canon C-Log3, Panasonic V-Log, ARRI LogC3 and LogC4, DJI D-Log, Nikon N-Log and Fujifilm F-Log and F-Log2. Each is built from the manufacturer's published transfer function.

How close does the match actually get?

Around 80% from a reference alone, and noticeably better if you include one frame of your own footage. It won't claim more than that — a LUT can carry a grade, not a colourist's per-shot judgement.

Is it a subscription?

No. $19 once, yours to keep, updates included.

See a look you love. Shoot your footage in it tonight.